Final Cut Pro X – a personal perspective.

Final Cut Pro X – a personal perspective.

FCPX-1


Final Cut Pro X
has gotten a lot of bad press recently, and to be honest Im still undecided myself about the huge switchover but decided to give it a bit of an unbiased review.

CONS

First off there are things i absolutely hate about FCP X, like the lack of viewer so all your media is now displayed in thumbnails, so you basically scroll through the thumbnail with a preview on the main viewing window but i really used to like how you could place your timeline marker on your sequence to get a preview of an edit point then match the edit point with the new clip i’m currently working with in a separate viewer, but now thats gone!

I also cant stand how it tries to self manage all your media by creating libraries,  it takes stuff on your hard drive and basically rewrites it into another folder, so it duplicates your footage and transcodes it into a bulkier format (422), while a really great codec, it is quite bulky; i even tried to change the default to 422LT but sadly no such luck.

Then theres the magnetic timeline, while i understand the principle of one main track and i do think its probably the way to go, i find it really frustrating not having ultimate control over how it behaves, but to be honest i think this is just down to lack of familiarity.

one other thing that is a bit upsetting it is quite a small thing, but the widescreen filter, before you could keyframe the offset of the filer, now you can’t, it lands squarely in the middle of your shot not way of shifting it up or down. Apple, please fix this one!

The main issues being complained about is the lack of multicam edit, this isn’t really a big deal for me as apple have announced they will be adding this feature in a future update, and also a lack of third party support, which i believe will eventually roll out in the future as well, remember this is a brand new program after all? The biggest draw back for professional editors is the lack of tape support for outputting your edit, I know there are a few work arounds to this but honestly i believe apple are trying to change the industry here for the better. When apple dropped the floppy drive on the imac people were furious, when they dropped SCSI support ( a type of peripheral connection) on the G5 the design and print industry swore they would never use a mac again and said they would have to spend hundreds of thousands of euro to upgrade all their equipment. But apple drove the industry to think differently and to advance to the next level. Final Cut Pro X has done it again, pissed off the pros with their expensive equipment, but looking to the future as apple always has done, then i believe it will all make sense, the industry will move forward, away from tape based media and for those who wish to use this outgoing format stick with an outgoing editing system.

PROS

So all the negatives out of the way, whats so good about final cut pro X?

One term…

64-bit!

Yep, its incredibly fast! super fast! mind bogging-ly fast! Render? Whats that?

Rendering happens in the background you don’t even notice it! and effects are applied instantly and just look awesome straight away even before they have been rendered they still play back instantly.

Colour control is beautiful, the scopes are awesome, the colour matching feature really does work!  Now while i gripped about the magnetic timeline above, when you sit back and start editing without even using a mouse, couple of quick and easy keyboard shortcuts and your blazing out edits almost in real time. Make an in point an out point and hit ‘e’ the video goes straight to the end of your timeline and snaps into place, continue to edit the same clip or move to the next one and its simple, in, out, e, its really fast. It’s a great way to bang out an edit for sequenced events or to skim through your footage for the best shots and takes then you can go in and re-arrange them to your hearts content.

Auditions, work great and thanks to the magnetic timeline they stay organized. rolling shutter is taken care of as is camera shake, the sound editing facilities from right within fcp is great no need to jump to soundtrack pro(discontinued anyway), nearly everything in soundtrack pro is already built right in, Screen real estate is greatly improved, when your applying filters the controls are now actually usable without having to re arrange your entire layout like before. Lots of built in filters and presets, which would work great for corporate videos and promos without having to have a degree in After Effects or motion. Rendering of Mp3 sound is now working as it always should have and doesn’t clip anymore. Audio and video recored separately? No worries final cut will sync it up for you now.

Threes lots of really great stuff in Final cut Pro X in fact there is some amazing stuff in final cut pro X, this is a brand new version, built from the ground up and the next ten years will prove that apple are more than likely making the right move, its gonna piss people off, it even pissed me off and to be completely honest its a work in progress but the potential is all there, give it a bit of love, a bit of time and I’m sure you will eventually fall in love with Final Cut Pro X

Colin “Zombie film” made for £45

A British zombie film made for just £45 is to be released in cinemas across the country after finding a distributor.

 Filmmaker Marc Price who made Colin

Marc Price has reason to smile after signing cinema deal

The flick, entitled Colin, was recorded on a camcorder and shot in Wales and London over 18 months by amateur filmmaker Marc Price.

It has now been snapped up Kaleidoscope Entertainment and is due to hit the big screen in time for Halloween.

The 97 minute film received much praise when it was shown at this year’s Cannes Film Festival which no doubt helped to land the deal.

Colin puts a different spin on the zombie genre by telling the story from the viewpoint of one of the undead.

It shows him trying to understand what has happened to him in contrast to similar films which focus on humans trying to escape from the zombies.

Poster for zombie budget film ColinPrice, 30, wrote, filmed and produced the horror flick by persuading actors and make-up artists to take part for free.

The filmmaker, who edited Colin while working for a courier firm in London, could not believe it got signed up.

“The whole thing is just insane, If you’d told me the film was going to get released in the cinema when we first started on the project I just wouldn’t have believed it. “I really thought it was a joke when I was told.”

“I hope that this will encourage others to go out with the video cameras and make films. It just goes to show you don’t need thousands and thousands of pounds to make a film.”

Actor Alastair Kirton plays the lead character who is bitten by a zombie, dies and is resurrected as one of the flesh-eating un-dead.

It will then be released in London and major cities across the UK but I dunno about Ireland release yet?

Final Cut Studio 3 Announced!

promo-finalcutstudio-20090722Apple updates Final Cut Studio with more than 100 new features
Apple today announced a significant update to Final Cut Studio, offering more than 100 new features and new versions of Final Cut Pro, Motion, Soundtrack Pro, Color, and Compressor. Final Cut Pro 7 expands Apple’s ProRes codec family to support virtually any workflow and includes Easy Export for one step output to a variety of formats. At €999, the new Final Cut Studio is €300 less than the previous release and is also available as an upgrade for just €299.

Signatures & Reality Bites Deadlines Announced

ifblogo07-fWANTED: Short Film Scripts for the SIGNATURES and REALITY BITES Schemes

The deadlines for the Irish Film Board’s flagship short film scheme SIGNATURES and the short documentary scheme REALITY BITES have been announced. Applications will now be accepted until Friday, July 17th for Signature applications while Reality Bites applications will be accepted until Friday, August 7th.

SIGNATURES is a short film scheme for the making of live-action, fiction films that act as a proving-ground for Irish creative talents which aims to encourage strong, original storytelling, visual flair, and production values appropriate to the big screen.

The first round of Signatures shorts premiered last year at the Cork Film Festival and included Rory Bresnihan’s The Man Inside which won The Best European Short Film at the European Independent Film Festival earlier this year.

The scheme is an opportunity for producers, directors and writers to work in a professional environment that will allow them to further their experience.

REALITY BITES aims to encourage experimentation and a fresh approach to short non-fiction filmmaking. We are looking for something new in the use of the documentary form, whether the projects are journalistic or creative, observational or aesthetic, objective or personal.

The successful short films will premiere at the Corona Cork Film Festival next year.